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Now, a century later, we have the opportunity again to consider the impact that Shakespeare’s writing has had on the collective imagination, not only in the English-speaking world but across the globe: the constantly changing responses to, and engagement with, the Shakespeare canon and the ways in which creative encounters with Shakespeare reflect and inform perceptions of national and international cultural life. It is fascinating to investigate all the ways in which creative culture has changed – in London, in the UK, in the world – since 1616, the year of Shakespeare’s death, and since the tercentenary of 1916. Shakespeare is no longer only London’s, or the United Kingdom’s, but a playwright and poet for the world.


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